Autori simili da seguire
Gestisci i seguendo
I clienti hanno anche acquistato articoli di
" Trois années durant, j'ai voyagé et questionné des hommes et des femmes de générations, de destins, de tempéraments différents. Tchernobyl est leur monde. Il empoisonne tout autour d'eux, la terre, l'air, l'eau mais aussi tout en eux, la conscience, le temps, la vie intérieure.
" Faire que ce que plusieurs racontent devienne l'Histoire : en voyageant, en cédant la parole à ces gens, j'ai souvent eu l'impression de noter le futur, notre futur. "
Ainsi parle Svetlana Alexievitch de La Supplication. Tout comme l'oeuvre de Primo Levi sur Auschwitz ou celle d'Alexandre Soljenitsyne sur le Goulag, son livre nomme l'indicible en faisant entendre, pour la première fois, les voix suppliciées de Tchernobyl.
Écrivain et journaliste biélorusse, dissidente soutenue par le Pen-Club et la Fondation Soros, rendue célèbre dans le monde entier par Les Cercueils de zinc, ouvrage mémorial sur la guerre d'Afghanistan, Svetlana Alexievitch a déjà reçu, en Allemagne, Le Prix du livre politique et Le Prix des Libraires pour La Supplication.
Elle a reçu le Prix Nobel de littérature 2015.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The Washington Post • The Guardian • NPR • The Economist • Milwaukee Journal Sentinel • Kirkus Reviews
For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”
In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.
Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.
Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.
THE WINNER OF THE NOBEL PRIZE IN LITERATURE
“for her polyphonic writings, a monument to suffering and courage in our time.”
“A landmark.”—Timothy Snyder, author of On Tyranny: Twenty Lessons from the Twentieth Century
“An astonishing book, harrowing and life-affirming . . . It deserves the widest possible readership.”—Paula Hawkins, author of The Girl on the Train
“Alexievich has gained probably the world’s deepest, most eloquent understanding of the post-Soviet condition. . . . [She] has consistently chronicled that which has been intentionally forgotten.”—Masha Gessen, National Book Award–winning author of The Future Is History
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND PUBLISHERS WEEKLY • LOS ANGELES TIMES BOOK PRIZE WINNER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New York Times • The Washington Post • The Boston Globe • The Wall Street Journal • NPR • Financial Times • Kirkus Reviews
When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions—a history of the soul.” Alexievich’s distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation.
In Secondhand Time, Alexievich chronicles the demise of communism. Everyday Russian citizens recount the past thirty years, showing us what life was like during the fall of the Soviet Union and what it’s like to live in the new Russia left in its wake. Through interviews spanning 1991 to 2012, Alexievich takes us behind the propaganda and contrived media accounts, giving us a panoramic portrait of contemporary Russia and Russians who still carry memories of oppression, terror, famine, massacres—but also of pride in their country, hope for the future, and a belief that everyone was working and fighting together to bring about a utopia. Here is an account of life in the aftermath of an idea so powerful it once dominated a third of the world.
A magnificent tapestry of the sorrows and triumphs of the human spirit woven by a master, Secondhand Time tells the stories that together make up the true history of a nation. “Through the voices of those who confided in her,” The Nation writes, “Alexievich tells us about human nature, about our dreams, our choices, about good and evil—in a word, about ourselves.”
Praise for Svetlana Alexievich and Secondhand Time
“The nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich’s oral history Secondhand Time.”—David Remnick, The New Yorker
"I love life in its living form, life that’s found on the street, in human conversations, shouts, and moans." So begins this speech delivered in Russian at Cornell University by Svetlana Alexievich, winner of the 2015 Nobel Prize in Literature. In poetic language, Alexievich traces the origins of her deeply affecting blend of journalism, oral history, and creative writing.
Cornell Global Perspectives is an imprint of Cornell University’s Mario Einaudi Center for International Studies. The works examine critical global challenges, often from an interdisciplinary perspective, and are intended for a non-specialist audience. The Distinguished Speaker Series presents edited transcripts of talks delivered at Cornell, both in the original language and in translation.
A startling history of the Chernobyl disaster by Svetlana Alexievich, the winner of the Nobel prize in literature 2015
On 26 April 1986, at 1.23am, a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.
The haunting history of the Soviet-Afghan War from the winner of the Nobel Prize in Literature 2015
- A new translation based on the updated text -
From 1979 to 1989 Soviet troops engaged in a devastating war in Afghanistan that claimed thousands of casualties on both sides. While the Soviet Union talked about a 'peace-keeping' mission, the dead were shipped back in sealed zinc coffins. Boys in Zinc presents the honest testimonies of soldiers, doctors and nurses, mothers, wives and siblings who describe the lasting effects of war. Weaving together their stories, Svetlana Alexievich shows us the truth of the Soviet-Afghan conflict: the killing and the beauty of small everyday moments, the shame of returned veterans, the worries of all those left behind. When it was first published in the USSR in 1991, Boys in Zinc sparked huge controversy for its unflinching, harrowing insight into the realities of war.
Nobel Prize-winning writer Svetlana Alexievich delves into the traumatic memories of children who were separated from their parents during World War II--most of them never to be reunited--in this this young adult adaptation of her acclaimed nonfiction "masterpiece" (The Guardian), Last Witnesses: An Oral History of the Children of WWII.
The personal narratives told by those who were children during WWII and survived harrowing experiences, are astounding. So many children were separated from their loved ones in the midst of the terror and chaos. As a result, some grew up in orphanages or were raised by grandparents or extended family; others were taken in and cared for by strangers who risked punishment for such acts. Still others lived on their own or became underage soldiers. Forthright and riveting, these bravely told oral histories of survival reveal the heart-rending details of life during wartime while reminding us that resilience is possible, no matter the circumstances.
Selected as a Book of the Year 2019 by The Times and Telegraph
'Astonishing. . . Like the great Russian novels, these testimonials ring with emotional truth' - Caroline Moorehead, Guardian
Extraordinary stories about what it was like to be a Soviet child during the upheaval and horror of the Second World War, from Nobel Laureate Svetlana Alexievich
What did it mean to grow up in the Soviet Union during the Second World War? In the late 1970s, Svetlana Alexievich started interviewing people who had experienced war as children, the generation that survived and had to live with the trauma that would forever change the course of the Russian nation. With remarkable care and empathy, Alexievich gives voice to those whose stories are lost in the official narratives, uncovering a powerful, hidden history of one of the most important events of the twentieth century.Published to great acclaim in the USSR in 1985 and now available in English for the first time, this masterpiece offers a kaleidoscopic portrait of the human consequences of the war - and an extraordinary chronicle of the Russian soul.
Dans Les Cercueils de zinc, Svetlana Alexievitch avait osé violer en 1989 un des derniers tabous de l’ex-URSS : elle dénonçait le mythe de la guerre d’Afghanistan, des guerriers libérateurs. Comme Svetlana Alexievitch le soulignait elle-même, l’Union soviétique était un État militariste qui se camouflait en pays ordinaire et il était dangereux de faire glisser la bâche kaki qui recouvrait les fondations de granit de cet État.
La vérité n’est jamais bonne à dire, Les Cercueils de zinc valut à son auteur un procès pour
“calomnie”. Reste que sans ce livre on ne saurait rien de la guerre des Soviétiques en Afghanistan ni, vues de l’intérieur, des dernières années de l’URSS. Un témoignage capital du Prix Nobel de littérature 2015, dans une édition revue par l’auteur.