Jonathan Gottschall

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Libri di Jonathan Gottschall
Lingua:Libri ItalianiSteven Pinker, Harvard University, autore di Illuminismo adesso e Razionalità
««In questo libro provocatorio e penetrante, Jonathan Gottschall ci mostra perché le storie pericolose si diffondono così rapidamente e come portano alla divisione e alla sfiducia. Ma il nostro istinto narrativo può anche essere sfruttato per il bene, e Gottschall attinge a una serie di ricerche e storie avvincenti per mostrarci come possiamo fermare cospirazioni, bigottismo e disinformazione. Il paradosso delle storie non potrebbe essere più urgente».»
Jonah Berger, autore di Influenza invisibile
L’essere umano è l’animale che racconta storie. Jonathan Gottschall ha usato questa fortunata metafora in L’istinto di narrare, descrivendo magistralmente quell’ecosistema di finzione narrativa nel quale siamo immersi e che caratterizza in maniera così peculiare la nostra specie. Le storie creano la struttura delle nostre società, fanno vivere a ogni persona migliaia di vite, preparano i bambini alla vita adulta e formano i legami che ci consentono di convivere in pace.
Ma tutto questo ha un lato oscuro che non possiamo più ignorare: le storie potrebbero anche essere la causa della nostra distruzione. Con questo libro Jonathan Gottschall torna sul tema della narrazione con tutto il bagaglio interdisciplinare delle sue conoscenze, attingendo alla psicologia, alla scienza della comunicazione, alle neuroscienze e alla letteratura per raccontarci fino a che punto le storie siano in grado di influenzare il nostro cervello e le nostre vite. E non sempre per il meglio.
La narrazione ha agito nel corso della storia come collante delle società, certo, ma è anche la forza principale che disgrega le comunità: è il metodo più efficace che abbiamo per manipolare il prossimo eludendo il pensiero razionale. Dietro i più grandi mali della civiltà – il disastro ambientale, la demagogia, il rifiuto irrazionale della scienza, le guerre – c’è sempre una storia che confonde le menti. Le nuove tecnologie amplificano gli effetti delle campagne di disinformazione, e le teorie del complotto e le fake news rendono quasi impossibile distinguere i fatti dalla finzione, per cui la domanda che dobbiamo porci urgentemente è: «come potremo salvare il mondo dalle storie?».
Storytelling, a tradition that built human civilization, may soon destroy it
Humans are storytelling animals. Stories are what make our societies possible. Countless books celebrate their virtues. But Jonathan Gottschall, an expert on the science of stories, argues that there is a dark side to storytelling we can no longer ignore. Storytelling, the very tradition that built human civilization, may be the thing that destroys it.
In The Story Paradox, Gottschall explores how a broad consortium of psychologists, communications specialists, neuroscientists, and literary quants are using the scientific method to study how stories affect our brains. The results challenge the idea that storytelling is an obvious force for good in human life. Yes, storytelling can bind groups together, but it is also the main force dragging people apart. And it’s the best method we’ve ever devised for manipulating each other by circumventing rational thought. Behind all civilization’s greatest ills—environmental destruction, runaway demagogues, warfare—you will always find the same master factor: a mind-disordering story.
Gottschall argues that societies succeed or fail depending on how they manage these tensions. And it has only become harder, as new technologies that amplify the effects of disinformation campaigns, conspiracy theories, and fake news make separating fact from fiction nearly impossible.
With clarity and conviction, Gottschall reveals why our biggest asset has become our greatest threat, and what, if anything, can be done. It is a call to stop asking, “How we can change the world through stories?” and start asking, “How can we save the world from stories?”
Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?
In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.
Drawing on the latest research in neuroscience, psychology, and evolutionary biology, Gottschall tells us what it means to be a storytelling animal. Did you know that the more absorbed you are in a story, the more it changes your behavior? That all children act out the same kinds of stories, whether they grow up in a slum or a suburb? That people who read more fiction are more empathetic?
Of course, our story instinct has a darker side. It makes us vulnerable to conspiracy theories, advertisements, and narratives about ourselves that are more “truthy” than true. National myths can also be terribly dangerous: Hitler’s ambitions were partly fueled by a story.
But as Gottschall shows in this remarkable book, stories can also change the world for the better. Most successful stories are moral—they teach us how to live, whether explicitly or implicitly, and bind us together around common values. We know we are master shapers of story. The Storytelling Animal finally reveals how stories shape us.
When a mixed martial arts (MMA) gym moves in across the street from his office, Jonathan Gottschall sees a challenge, and an opportunity. Pushing forty, out of shape, and disenchanted with his job as an adjunct English professor, part of him yearns to cross the street and join up. The other part is terrified. Gottschall eventually works up his nerve, and starts training for a real cage fight. He’s fighting not only as a personal test but also to answer questions that have intrigued him for years: Why do men fight? And why do so many seemingly decent people like to watch?
In The Professor in the Cage, Gottschall’s unlikely journey from the college classroom to the fighting cage drives an important new investigation into the science and history of violence. Mixed martial arts is a full-contact hybrid sport in which fighters punch, choke, and kick each other into submission. MMA requires intense strength, endurance, and skill; the fights are bloody, brutal, and dangerous. Yet throughout the last decade, cage fighting has evolved from a small-time fringe spectacle banned in many states to the fastest-growing spectator sport in America.
But the surging popularity of MMA, far from being new, is just one more example of our species’ insatiable interest not just in violence but in the rituals that keep violence contained. From duels to football to the roughhousing of children, humans are masters of what Gottschall calls the monkey dance: a dizzying variety of rule-bound contests that establish hierarchies while minimizing risk and social disorder. In short, Gottschall entered the cage to learn about the violence in men, but learned instead how men keep violence in check.
Gottschall endures extremes of pain, occasional humiliation, and the incredulity of his wife to take us into the heart of fighting culture—culminating, after almost two years of grueling training, in his own cage fight. Gottschall’s unsparing personal journey crystallizes in his epiphany, and ours, that taming male violence through ritualized combat has been a hidden key to the success of the human race. Without the restraining codes of the monkey dance, the world would be a much more chaotic and dangerous place.
Of het nu gaat om concurrentie op het werk, sportieve krachtmetingen of verbale piswedstrijden: op onnavolgbare wijze beschrijft Gottschall de rituelen en regels van mannen onder elkaar. Aan de hand van inzichten uit de wetenschap van sport en competitie laat hij zien waarom mannen vechten (en we daar zo graag naar kijken).