Ruth Galloway and DCI Nelson are on the hunt for a murderer when Covid rears its ugly head. But can they find the killer despite lockdown?

'GALLOWAY NOW SEEMS AS REAL AS MARPLE AND MORSE' The Times

'SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT' India Knight

Ruth is in London clearing out her mother's belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: Dawn, 1963.

Ruth returns to Norfolk determined to solve the mystery, but then Covid rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. Happily, the house next door is rented by a nice woman called Zoe, who they become friendly with while standing on their doorsteps clapping for carers.

Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.

Only then her name wasn't Zoe. It was dawn.

The ultimate gripping murder mystery for winter nights, from the bestselling author of The Stranger Diaries and the Dr Ruth Galloway Mysteries

PS: thanks for the murders.

The death of a ninety-year-old woman with a heart condition should absolutely not be suspicious. DS Harbinder Kaur certainly sees nothing to concern her in carer Natalka's account of Peggy Smith's death.

But when Natalka reveals that Peggy lied about her heart condition and that she had been sure someone was following her...

And that Peggy Smith had been a 'murder consultant' who plotted deaths for authors, and knew more about murder than anyone has any right to...

And when clearing out Peggy's flat ends in Natalka being held at gunpoint by a masked figure...

Well then DS Harbinder Kaur thinks that maybe there is no such thing as an unsuspicious death after all.

From the sleepy seaside town of Shoreham to the granite streets of Aberdeen, The Postscript Murders is a literary mystery for fans of Anthony Horowitz, Agatha Christie and anyone who's ever wondered just how authors think up such realistic crimes...

PS: Trust no one.

Discover one of the most popular crime series in Britain, from the bestselling author of The Stranger Diaries.

A child's bones are discovered on the windswept Norfolk marshes. Believing them to be ancient, the police call in Dr Ruth Galloway, forensic archaeologist. But this is no prehistoric grave. A cold missing person case has now become a murder investigation.

'I've never before read a crime novel in which [archaeology and detection] blend as successfully as in The Crossing Places' Shots

Dr Ruth Galloway is called in when a child's bones are discovered near the site of a prehistoric henge on the north Norfolk salt marshes. Are they the remains of a local girl who disappeared ten years earlier - or are the bones much older?

DCI Harry Nelson refuses to give up the hunt for the missing girl. Since she vanished, someone has been sending him bizarre anonymous notes about ritual sacrifice, quoting Shakespeare and the Bible. He knows that Ruth's expertise and experience could help him finally to put this case to rest.

But when a second child goes missing, Ruth finds herself in danger from a killer who knows she's getting ever closer to the truth...

The shadow of the Second World War looms dark over this chilling mystery starring forensic archaeologist Dr Ruth Galloway. Some buried secrets shouldn't be uncovered.

'Brilliant on the eerie landscape of the Norfolk coast' Sunday Times

Dr Ruth Galloway is called in by a team of archaeologists investigating coastal erosion on the north Norfolk coast, when they unearth six bodies buried at the foot of a cliff. They seem to have been there a very long time. Ruth must help discover how long, and how on earth they got there.

Ruth and DCI Nelson are drawn together once more to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion.

Ruth thought she knew the history of Norfolk - she's about to find out just how wrong she was, and how far someone will go to keep their secrets buried.

'SET IN DIVINE NORTH NORFOLK. INTENSELY ATMOSPHERIC AND GREAT' India Knight

Dr Ruth Galloway returns to the moody and beautiful landscape of North Norfolk to confront another killer. A devastating new case for our favourite forensic archaeologist in this acclaimed and bestselling crime series.

The Night Hawks, a group of metal detectorists, are searching for buried treasure when they find a body on the beach in North Norfolk. At first Nelson thinks that the dead man might be an asylum seeker but he turns out to be a local boy, Jem Taylor, recently released from prison. Ruth is more interested in the treasure, a hoard of Bronze Age weapons. Nelson at first thinks that Taylor's death is accidental drowning, but a second death suggests murder.

Nelson is called to an apparent murder-suicide of a couple at the isolated Black Dog Farm. Local legend talks of the Black Shuck, a spectral hound that appears to people before they die. Nelson ignores this, even when the owner's suicide note includes the line, 'He's buried in the garden.' Ruth excavates and finds the body of a giant dog.

All roads lead back to this farm in the middle of nowhere, but the place spells serious danger for anyone who goes near. Ruth doesn't scare easily. Not until she finds herself at Black Dog Farm ...

A TIMES CRIME BOOK OF THE YEAR. THE RICHARD & JUDY BOOK CLUB PICK.

'Utterly bewitching ... a pitch-perfect modern Gothic' AJ FINN, author of THE WOMAN IN THE WINDOW

A dark story has been brought to terrifying life. Can the ending be rewritten in time?

This is what the police know: English teacher Clare Cassidy's friend Ella has just been murdered. Clare and Ella had recently fallen out. Found beside the body was a line from The Stranger, a story by the Gothic writer Clare teaches, and the murder scene is identical to one of the deaths in the story.

This is what Clare knows: No one else was aware of her fight with Ella. Few others have even read The Stranger. Someone has wormed their way into her life and her work. They know her darkest secrets. And they don't mean well.

This is what the killer knows: Who will be next to die.

'Compelling, intelligent and increasingly mesmerising' PETER JAMES

'Picks up where the great Gothic thrillers of the past leave off ... goose-bump spooky, smart, and haunting. I loved this book! And you will too' LOUISE PENNY

The fourth Stephens and Mephisto mystery from the author of the bestselling Dr Ruth Galloway series - a must-read for fans of Bryant and May. 'Mixes cosiness and sharpness in a way that recalls the best of Agatha Christie' Sunday Express (on Smoke and Mirrors)

What do a murdered Brighton flower seller, the death of Cleopatra and a nude tableau show have in common? Read the most dangerous case yet for Stephens and Mephisto to find out.

Christmas 1953. Max Mephisto and his daughter Ruby are headlining Brighton Hippodrome, an achievement only slightly marred by the less-than-savoury support act: a tableau show of naked 'living statues'. This might appear to have nothing in common with DI Edgar Stephens' current case of the death of a quiet flowerseller, but if there's one thing the old comrades have learned it's that, in Brighton, the line between art and life - and death - is all too easily blurred...

'Recalls the very best of Agatha Christie' Sunday Express

Brighton, 1951. Pantomime season takes a dark turn when two missing children are found dead under the snow, surrounded by sweets - a macabre, real-life Hansel and Gretel.

DI Edgar Stephens has plenty of leads to investigate. The missing girl, Annie, used to write plays and perform them with her friends. Does the clue lie in Annie's unfinished - and rather disturbing - last script? Or might it lie with the eccentric actor types who have assembled for the pantomime?

Once again Edgar enlists magician and ex-wartime comrade Max Mephisto's help in penetrating the shadowy theatrical world that seems to hold the key. But is this all just classic misdirection?

Magic, murder and a mystery rooted in a murky wartime past. Meet DI Stephens and Max Mephisto

Brighton, 1950.

When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick, the Zig Zag Girl.

The inventor of the trick, Max Mephisto, is an old friend of Edgar's. They served together in the war as part of a shadowy unit called the Magic Men.

Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind.

Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another 'trick', the Wolf Trap, he knows that they are all in the killer's sights...

Historical crimes involving a Victorian child killer may hold the key to several contemporary deaths in this macabre outing for Dr Ruth Galloway, forensic archaeologist.

'Told with a deepening sense of the unease, seasoned with a touch of the occult' Daily Mail

Ruth has excavated a body from the grounds of Norwich Castle, which was once a prison. The body may be that of Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged for the murder of five children.

DCI Harry Nelson has no time for long-ago killers. Investigating the case of three infants found dead, one after the other, in their King's Lynn home, he's convinced that their mother is responsible.

Then a child goes missing. Could the abduction be linked to the long-dead Mother Hook? Ruth is pulled into the case, and back towards Nelson.

'ONE OF MY FAVOURITE CURRENT CRIME SERIES' Val McDermid
'A FIVE-STAR THRILLER' Daily Express
'GOOD WRITING AND CLEVER CHARACTERISATION' Red Magazine

Boiled human bones have been found in Norwich's web of underground tunnels. When Dr Ruth Galloway discovers they were recently buried, DCI Nelson has a murder inquiry on his hands. The boiling might have been just a medieval curiosity - now it suggests a much more sinister purpose.

Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she's gone 'underground'. This might be a figure of speech, but with the discovery of the bones and the rumours both Ruth and the police have heard that the network of old chalk-mining tunnels under Norwich is home to a vast community of rough sleepers, the clues point in only one direction. Local academic Martin Kellerman knows all about the tunnels and their history - but can his assertions of cannibalism and ritual killing possibly be true?

As the weather gets hotter, tensions rise. A local woman goes missing and the police are under attack. Ruth and Nelson must unravel the dark secrets of The Underground and discover just what gruesome secrets lurk at its heart - before it claims another victim.

The murder of women priests in Norfolk's spooky shrine town of Walsingham draws forensic archaeologist Dr Ruth Galloway into a thrilling new adventure.

'Ever-more ingenious detective stories with a powerful sense of place' The Times

When Ruth's friend Cathbad sees a vision of the Virgin Mary, in a white gown and blue cloak, in Walsingham's graveyard, he takes it in his stride. Walsingham has strong connections to Mary, and Cathbad is a druid after all; visions come with the job. But when the body of a woman in a blue dressing-gown is found dead the next day in a nearby ditch, it is clear that a horrible crime has been committed, and DCI Nelson and his team are called in for what is now a murder investigation.

Ruth, a devout atheist, has managed to avoid Walsingham during her seventeen years in Norfolk. But then an old university friend asks to meet her in the village, and Ruth is amazed to discover that she is now a priest. She has been receiving vitriolic anonymous letters targeting women priests - letters containing references to local archaeology and a striking phrase about a woman 'clad in blue, weeping for the world'.

Then another woman is murdered - a priest. As Walsingham prepares for its annual Easter re-enactment of the Crucifixion, the race is on to unmask the killer before they strike again...