Raymond Chandler's incomparable private eye is back, pulled by a seductive young heiress into the most difficult and dangerous case of his career

"It was one of those summer Tuesday afternoons when you begin to wonder if the earth has stopped revolving. The telephone on my desk had the look of something that knows it's being watched. Traffic trickled by in the street below, and there were a few pedestrians, too, men in hats going nowhere."

So begins The Black-Eyed Blonde, a new novel featuring Philip Marlowe—yes, that Philip Marlowe. Channeling Raymond Chandler, Benjamin Black has brought Marlowe back to life for a new adventure on the mean streets of Bay City, California.

It is the early 1950s, Marlowe is as restless and lonely as ever, and business is a little slow. Then a new client is shown in: young, beautiful, and expensively dressed, she wants Marlowe to find her former lover, a man named Nico Peterson. Marlowe sets off on his search, but almost immediately discovers that Peterson's disappearance is merely the first in a series of bewildering events. Soon he is tangling with one of Bay City's richest families and developing a singular appreciation for how far they will go to protect their fortune.

Only Benjamin Black, a modern master of the genre, could write a new Philip Marlowe detective novel that has all the panache and charm of the originals while delivering a story that is as sharp and fresh as today's best crime fiction.

She looked at him and smiled sadly. ‘You’ve lived too long among the dead, Quirke,’ she said.

He nodded. ‘Yes, I suppose I have.’ She was not the first one to have told him that, and she would not be the last.

1950s Dublin. When a body is found in the canal, pathologist Quirke and his detective friend Inspector Hackett must find the truth behind this brutal murder. But in a world where the police are not trusted and secrets often remain buried there is perhaps little hope of bringing the perpetrator to justice.

As spring storms descend on Dublin, Quirke and Hackett’s investigation will lead them into the dark heart of the organisation that really runs this troubled city: the church. Meanwhile Quirke’s daughter Phoebe realises she is being followed; and when Quirke’s terrible childhood in a priest-run orphanage returns to haunt him, he will face his greatest trial yet . . .

For fans of The Crown comes an enthralling historical mystery set during the Second World War

It is 1940 and the bombs are falling thick and fast on London. The royal family must do all they can to assure the British public of their solidarity. But what of the two young princesses - Elizabeth and Margaret? How can they be kept safe without jeopardizing morale in the capital?

Meanwhile Celia Nashe is delighted when she finally gets her long-awaited transfer to MI5. But whatever she was expecting of her mission for the war effort, it wasn't this. A crumbling castle in remote, rural Ireland, playing nursemaid to two pampered young girls.

But her posting soon turns out to be very far from tame. Questions are being asked by the locals about the identities of Celia's secret charges. And when a dead body turns up at the castle gates, it will take every effort to uncover the truth, and to stop it from coming to light.

'Elegant and witty. Fans of The Crown will enjoy this playful novel' Times

'Brilliantly entertaining' Irish Times

'Black is a master of high-class crime fiction' Guardian

Now a major TV series: Quirke starring Gabriel Byrne and Colin Morgan and written by Conor McPherson

1950s Ireland. As a deep, bewildering fog cloaks Dublin, a young woman is found to have vanished.

When Phoebe Griffin, still haunted by the horrors of her past, is unable to discover news of her friend; Quirke, fresh from drying out in an institution, responds to his daughter’s request for help.

But as Phoebe, Quirke and Inspector Hackett speak with those who knew April, they begin to realise that there may have been more behind the young woman’s discretion and secrecy than they could have imagined. Why was April so estranged from her family? What is her close-knit circle of friends hiding? And who is the shadowy figure who seems to be watching Phoebe’s flat at night, through the frozen mists?

As Quirke finds himself distracted from his sobriety by a beautiful young actress, Phoebe watches helplessly as April’s family hush up her disappearance, and all possible leads seem to dry up, bar one she cannot bear to contemplate. But when Quirke makes a disturbing discovery, he is finally able to begin unravelling the great, complex web of love, lies, jealousy and dark secrets that April spun her life from . . .

‘Quirke is an endearing hero . . . A beguiling read’ The Times

‘Vivid and compelling’ Marie Claire

Benjamin Black's literary crime novels, set in 1950s Dublin, inspired the major TV series: Quirke starring Gabriel Byrne and Michael Gambon and written by Andrew Davies.

Time has moved on for Quirke, the world-weary pathologist first encountered in Christine Falls. It is the middle of the 1950s, that low, dishonourable decade; a woman he loved has died, a man whom he once admired is dying, while the daughter he for so long denied is still finding it hard to accept him as her father. When an old acquaintance approaches him about his wife’s apparent suicide, Quirke recognizes trouble but, as always, trouble is something he cannot resist.

‘Absorbing, atmospheric and moving. More please’ – Guardian

‘Drug addiction, morbid sexual obsession, blackmail and murder, as well as prose as crisp as a winter’s morning by the Liffey . . . Quirke is human enough to swell the hardest of hearts’ – GQ

‘A romp of a read, a compelling fix’ – Scotsman

The Silver Swan is the second in the Quirke Mysteries. Continue the spellbinding crime series with Elegy for April.

Benjamin Black's literary crime novel, set in 1950s Dublin, inspired the major TV series: Quirke starring Gabriel Byrne and written by Andrew Davies.

Quirke’s pathology department, set deep beneath the city, is his own gloomy realm: always quiet, always night, and always under his control. Until late one evening after a party he stumbles across a body that should not be there – and his brother-in-law falsifying the corpse’s cause of death.

This is the first time Quirke has encountered Christine Falls, but the investigation he decides to lead into the way she lived and died uncovers a dark secret at the heart of Dublin’s high Catholic network; one with the power to shake his own family and everything he holds dear.

‘A ripping detective yarn with the template to follow in the golden bootprints of Rebus’ – Scotsman

‘Superb . . . the final outcome is almost unbearably moving. You’re in for a treat’ – Michael Dibdin, Guardian

‘Succeeds sensationally . . . An absorbing plot, beguiling characters and evocative settings . . . His pacing is impeccable’ – Marcel Berlins, The Times

Continue the spellbinding crime series with The Silver Swan.

A suspicious death, a pregnant woman suddenly gone missing: Quirke's latest case leads him inexorably toward the dark machinations of an old foe

Perhaps Quirke has been down among the dead too long. Lately the Irish pathologist has suffered hallucinations and blackouts, and he fears the cause is a brain tumor. A specialist diagnoses an old head injury caused by a savage beating; all that's needed, the doctor declares, is an extended rest. But Quirke, ever intent on finding his place among the living, is not about to retire.

One night during a June heat wave, a car crashes into a tree in central Dublin and bursts into flames. The police assume the driver's death was either an accident or a suicide, but Quirke's examination of the body leads him to believe otherwise. Then his daughter Phoebe gets a mysterious visit from an acquaintance: the woman, who admits to being pregnant, says she fears for her life, though she won't say why. When the woman later disappears, Phoebe asks her father for help, and Quirke in turn seeks the assistance of his old friend Inspector Hackett. Before long the two men find themselves untangling a twisted string of events that takes them deep into a shadowy world where one of the city's most powerful men uses the cover of politics and religion to make obscene profits.

Even the Dead--Benjamin Black's seventh novel featuring the endlessly fascinating Quirke--is a story of surpassing intensity and surprising beauty.

'The emperor's mistress had been murdered, and the world had been taken hold of and turned upon its head'

Prague, 1599. Christian Stern, a young doctor, has just arrived in the city. On his first evening, he finds a young woman's body half-buried in the snow.

The dead woman is none other than the emperor's mistress, and there's no shortage of suspects. Stern is employed by the emperor himself to investigate the murder. In the search to find the culprit, Stern finds himself drawn into the shadowy world of the emperor's court - unspoken affairs, letters written in code, and bitter rivalries. But there's no turning back now...

Now a major TV series: Quirke starring Gabriel Byrne.

When newspaper magnate Richard Jewell is found dead at his country estate, clutching a shotgun in his lifeless hands, few see his demise as cause for sorrow. But before long Doctor Quirke and Inspector Hackett realise that, rather than the suspected suicide, ‘Diamond Dick’ has in fact been murdered.

Suspicion soon falls on one of Jewell’s biggest rivals. But as Quirke and his assistant Sinclair get to know Jewell's beautiful, enigmatic wife Françoise d’Aubigny, and his fragile sister Dannie, as well as those who work for the family, it gradually becomes clear that all is not as it seems . . .

Against the backdrop of 1950's Dublin, Benjamin Black conjures another atmospheric, beguiling mystery.

JOHN BANVILLE es BENJAMIN BLACK es RAYMOND CHANDLER
Un acontecimiento literario internacional.

EN ADAPTACIÓN CINEMATOGRÁFICA: CON ACTUACIÓN DE LIAM NEESON Y DIRECCIÓN DE NEIL JORDAN

Premio Príncipe de Asturias de las Letras 2014 a John Banville por «su inteligente, honda y original creación novelesca» y a su «otro yo, Benjamin Black, autor de turbadoras y críticas novelas policíacas.»

Arranca la década de los cincuenta. Philip Marlowe se siente tan inquieto y solo como siempre y el negocio vive sus horas bajas cuando irrumpe en su despacho una nueva clienta: joven, rubia, hermosa y elegante, Clare Cavendish, la rica heredera de un emporio de perfumes, pretende que Marlowe encuentre a un antiguo amante, un hombre llamado Nico Peterson.

Sí: Banville/Black pone su pluma al servicio del espíritu de Raymond Chandler por encargo de sus herederos y resucita al legendario detective privado (ese hombre que no conoce a las mujeres, pero tampoco se conoce a sí mismo) para embarcarlo en una nueva y peligrosa aventura en las calles de Bay City.

La crítica ha dicho...
«Allá donde se encuentre, Raymond Chandler sonríe ante la impecable factura de esta novela negra en la que resuenan perfectamente afinados los ecos de la melancolía del propio Chandler. La historia es fantástica, pero lo que me ha dejado boquiabierto es cómo John Banville ha captado el efecto acumulativo que la prosa de Chandler tenía sobre el lector... Me ha encantado esta obra. Ha sido como si entrase en la habitación de un viejo amigo, uno que ya tenías asumido que había muerto.»
Stephen King

«Banville ha encarnado a Chandler de manera irresistible: un doble golpe de misterio.»
Richard Ford

«Banville no solo es mejor escritor de lo que jamás lo fue Chandler, sino que, además, probablemente sea el más exquisito estilista del idioma inglés en actividad... Nada del heroico brillo de Marlowe se ha perdido aquí. Por el contrario: en La rubia de ojos negros se recupera todo aquello que jamás olvidamos.»
Rodrigo Fresán

«Banville es muy bueno siempre, con nombre propio o adoptado... No percibes la impostura en La rubia de ojos negros y la devoras de un tirón... Todo el rato tienes sensación de déjà vu, pero es algo grato, la antigua fascinación se renueva.»
Carlos Boyero, Babelia

«Una de las más originales experiencias literarias de estos últimos años... Un thriller magnífico y un homenaje a uno de los grandes escritores de todos los tiempos, Raymond Chandler, y a su personaje estrella: Marlowe, un detective muy privado.»
Ramón Ventura, El Periódico de Catalunya

«Y en este salto mortal el hombre que fue Banville antes que Black cae de pie para demostrar que también ha podido ser Chandler después de Black, tan sobrado además de talento que pronto descubrimos que se ha marcado, nada menos, que una suerte de secuela de El largo adiós, la obra maestra de la cepa original en este armónico baile de máscaras negras.»
Antonio Lozano, Qué Leer

«Superar semejante reto, resucitando no ya al personaje sino la voz del escritor que lo creó, deja claro algo qu

Why would suicide need a witness?

On the east coast of Ireland, Victor Delahaye, one of the country’s most prominent citizens, takes his business partner’s son out sailing. But once at sea, Davy Clancy is horrified to witness Delahaye take out a gun and shoot himself dead.

This strange event captures the attention of Detective Inspector Hackett and his friend Pathologist Doctor Quirke. The Delahayes and Clancys have been rivals for generations and the suicide lays bare the perplexing characters at the heart of the mystery, from Mona, Delahaye’s toxic young widow, to Jonas and James, his strange, enigmatic twin sons; and Jack Clancy, his down-trodden, womanizing partner. And when a second death occurs, one even more shocking than the first, Quirke begins to realise that terrible secrets lie buried within these entangled families; and that in this world of jealousy, ruthless ambition and pride – nothing is quite as it seems . . .